Golden Summer Morning
More D800e photographs with Micro-Nikkor 105mm AF-D
The Nikon D800e and Diffraction
Simple put, diffraction is a loss in image quality at small apertures (ƒ16, ƒ22, etc) due to the bending of light around the inner edges of the aperture diaphragm in the lens. This bending of light makes fine details less sharp than they would be at, for example ƒ4, ƒ5.6 or ƒ8.
Diffraction has been with us since the first photographic lenses were designed, but typically it is not a problem for most people. The potential effects of diffraction are of considerable importance to me as a landscape photographer. My goal is to create photographs that people feel they can walk in to. This means I want to maintain maximum sharpness from the immediate foreground through to the far background and to achieve this I need to be using the smallest apertures.
As digital sensors gain higher and higher pixel counts, diffraction becomes more and more noticeable. Also, those who work at producing wide format fine prints with exceptional sharpness worry about the effects of diffraction. That being said, diffraction effects that can been seen at 100% on screen are not always visible in wide format prints and rarely are seen at normal viewing distances of those prints.
Given all the questions and discussion of diffraction with respect to the Nikon D800e, I thought I should post some samples from my first morning shoot with the new camera. These photos were made with a Nikkor 20mm ƒ2.8 AF-D lens with a lens hood but no filter. The camera was mounted on sturdy Manfrotto 055 legs with a more than adequate tripod head. Mirror lock-up was used along with an electronic release so that no vibration could be introduced to the camera. The samples presented here have minimal processing. They were exposed-to-the-right to take best advantage of “more signal and less noise” offered by higher exposures.
Here is the series of photographs shot from ƒ5.6 through to ƒ22. I am providing both the default sharpening and sharpened images for comparison.
- At ƒ5.6, you will notice some foreground elements near the bottom slightly out of focus due to less depth-of-field. That seems to clear up by ƒ11, but then the effects of diffraction begin to take over.
- As you look through the images, keep an eye on the snail as it progresses up the dead stem.
- You be the judge as to whether diffraction can be reasonably “sharpened out”. Remember, these are screen captures at 100% – true pixel peeping with a 36.3MP sensor. Are the effects noticeable on fine prints? I doubt it, but will follow this post up with a a few prints.
Here is the gallery of images. You can click on the first image and scroll through them to view each one in turn. When you are “in” the gallery (darkened screen) you can right-click on an image and select “Open Image in New Window” or “Open Window in New Tab”. That will allow you to view the full-sized images in your browser. You can also right-click and choose “Save As…” or “Download” for viewing in another app.
So, you be the judge – is diffraction at small apertures a problem?
- ƒ5.6 at Default Sharpening
- ƒ5.6 Sharpened
- ƒ8 at Default Sharpening
- ƒ8 Sharpened
- ƒ11 at Default Sharpening
- ƒ11 Sharpened
- ƒ16 at Default Sharpening
- ƒ16 Sharpened
- ƒ22 at Default Sharpening
- ƒ22 Sharpened
The Nikon D800e and ISO
In various reviews, one of the “jaw dropping” features of the Nikon D800e that has been identified is its amazing image quality, not just at ISO200 and 400, but all the way up to ISO 3200. I thought I would put it to the test under conditions that are, for a nature and landscape photographer, somewhat “normal” to ideal. Yesterday morning was one of those perfect early summer mornings with soft lighting and no wind. It would have been nice to have a little more dew, but hey, when it comes to nature, you take what you can get and say “Thank you!”
The photographs were made using a Nikkor 20mm ƒ2.8 AF-D lens mounted on sturdy Manfrotto 055 legs with a heavy duty head. They were exposed using mirror lock-up and an electronic release. They were shot at ƒ22 – typical for landscape work where I want everything from the immediate foreground to the “far hills” in focus. ƒ22 does introduce diffraction issues, but more on that in my next post.
The 100% crops were all taken from the centre of each frame as I am trying to show how the camera performs, not the lens. The 20mm is a great all-around wideangle – a focal length I love for landscapes – but it does have chromatic aberration issues in the corners that need a bit of TLC to correct.
Shown below is a series for each of the ISO200, 800 and 3200 shots. The images have been processed in Lightroom 4.1, all in the same way at default sharpening. The values are shown for each photo in theLR panel at the right of each screen capture. You will see Full image views of each photo plus a view at 100% for the pixel peepers and a view at 50% for the realists. I then applied what I would call “appropriate” sharpening to each image to bring out its best qualities and there is a 100% view of each. Yes, the sharpening is different for each, but that’s what one would expect when working to achieve highest image quality at each ISO.
So, now you can be the judge. How well does the D800e hold up at different ISOs? While you can click on an image and scroll through the gallery one at a time, once you are in the gallery, you can also right-click on an image and select “Open Image in New Window” or “Open Image in New Tab”. That way you can do direct comparisons right in your browser. Alternatively, from within the gallery, you can right-click and choose “Save Image As…” (or whatever the equivalent is in Windows).
- ISO200 @ 100% – Default Sharpening
- ISO200 @ 100% – Sharpened
- ISO200 @ 50%
- ISO200 – Full view
- ISO3200 @ 100% – Default Sharpening
- ISO3200 @ 100% – Sharpened
- ISO3200 @ 50%
- ISO3200 – Full View
- ISO800 @ 100% – Default Sharpening
- ISO800 @ 100% – Sharpened
- ISO800 @ 50%
- ISO800 – Full View
If you’re like me, you just might be somewhat astounded at what the D800e can do at ISO3200. Under ideal conditions (“normal contrast”, properly exposed images with no excessive recovery of lost detail in shadows which generates noise) and with appropriate sharpening, it is possible to achieve truly printable images at high ISO. In this case, “truly printable” includes large format prints as ISO3200 at 50% and even 100% is pretty amazing.
Nikon D800e – OMG!
Between household chores today, I’ve managed to spend some time working with the D800e photographs I made early this morning. “The sound of jaws hitting the floor” is an understatement. The results are fabulous – more fabulous than my Nikkor 20mm lens and more fabulous than the now apparent diffraction at small apertures with the Micro Nikkor 105mm. Oooops! What they’ve said all along is absolutely correct: the D800e will show all the flaws like you’ve never seen them before.
My shooting technique involves sturdy Manfrotto 055 tripod legs with a head heavy-duty enough for my 4×5 wood field camera. I religiously use mirror lock-up and an electronic release. I also expose to the right to drive exposure up into the most valued area of the histogram (so that signal is significantly greater than noise resulting in cleaner images once processed).
This morning was designed for nature photography – beautiful soft light before sunrise and after, with not a breath of wind. I could take my time to look and compose and look again then set up for the exposure. I didn’t use LiveView for focussing this time, but instead made use of the hyperfocal distance markings on the 20mm – the markings limited (up to ƒ11), but still helpful. I should have used LiveView for focussing the milkweed flowers with the 105mm as I notice I am few millimetres out of perfect focus.
Presented below are four photographs from today I’ve spent some time working on. They were processed through Lightroom 4.1 using any and all of the tools necessary to recreate the scenes as I experienced them and wish to portray them. They are not “finished” by any means; no doubt when I re-vist these photographs a week or a month from now, I will look at them differently and make the necessary improvements, but here they are as they exist now. While I’m not the expert in LR as are others like Michael Reichman, Jeff Schewe, et. al., as an LR Instructor at Mohawk College In Hamilton, I think I have a fair command of it. I have made various and best use of adjustments in the Basic Panel (including Gard Filters, Adjustment Brushes and Spot Removal as needed), as well as sharpening in the Detail panel and Lens Corrections built in for the Nikkor 20mm AF-D lens.
Paired with each photograph is a 100% crop of the centre of the frame. This will be useful for those interested in seeing what the D800e is capable of under near ideal conditions. I’ve provided the centre crop only as this is a review of the camera, not the lenses. That being said, the flaws with the 20mm including chromatic aberration towards the corners, become readily apparent. As well, the effects of diffraction begin to appear (as you will see in the milkweed flowers at 100%), but that’s for another post. In the meantime, have a look. If you want to see the photos at maximum size, when in “gallery mode” (dark screen), right-click and choose “Open Image in New Window” or “Open Image in New Tab”.



































